DUPLEX by Michael James McFarland is something I read years ago, but my original review appears to have disappeared without a trace. I decided to reread the novella, since the author's book, Wormwood, has always been one of my favorite apocalypse stories.
First, the late night noises. Then, the shocking discovery of a videotape showing Dan, his wife and his daughter sleeping in their beds. He sets up a camcorder to try and catch the intruder, but he doesn't bother to check the tape...until his wife and child go missing. By the time he figures out what has happened, Dan has become a prisoner in his own home.
The psychological aspects of this story are horrifying enough, but McFarland takes the story further by adding a supernatural element. I want this story to be made into a film. This is the kind of suspense-thriller Hollywood needs to redeem itself. Even if you're not a horror fan, you need to make time for this novella.
As always,
AstraDaemon
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Showing posts with label Wormwood. Show all posts
Showing posts with label Wormwood. Show all posts
Saturday, December 14, 2019
Thursday, April 5, 2018
Throwback Thursday: Wormwood
Wormwood by Michael James McFarland reminds me of The Jakarta Pandemic, but with the most wicked reanimating virus I have ever come across in any plot. Wormwood was as emotionally devastating as the ending of Dead Sea by Brian Keene. Divided into eight parts, the POV switches between characters, depending on who is the focus of each section, and has a great mix of action, gore, drama – everything you could want in an apocalypse story.
The cast of characters had a terrific range; McFarland didn’t rely on typical stereotypes, and the imperfections of the group of neighbors living on Quail Street added to the realism of the story. Wormwood hooks the readers with a description of graphic video footage in the beginning, and then the survivors keep the story going with striking dialogue and thoughts of inner turmoil, emphasizing how quickly some people can change when others exploit a bad situation.
In the part titled, The Navaros, McFarland zeros in on one family’s personal reaction to the approaching outbreak ( a few days back in the timeline), which was heart-wrenching. In another part, when a search party is sent out for more medical supplies, readers catch a glimpse of the devastation beyond the cul-de-sac, and new survivors enter the story. Those characters carry the theme of losing one’s faith. Only one character, Shane, shows us a glimmer of hope, suggesting that even an underdog can rise to the occasion.
As always,
AstraDaemon
The cast of characters had a terrific range; McFarland didn’t rely on typical stereotypes, and the imperfections of the group of neighbors living on Quail Street added to the realism of the story. Wormwood hooks the readers with a description of graphic video footage in the beginning, and then the survivors keep the story going with striking dialogue and thoughts of inner turmoil, emphasizing how quickly some people can change when others exploit a bad situation.
In the part titled, The Navaros, McFarland zeros in on one family’s personal reaction to the approaching outbreak ( a few days back in the timeline), which was heart-wrenching. In another part, when a search party is sent out for more medical supplies, readers catch a glimpse of the devastation beyond the cul-de-sac, and new survivors enter the story. Those characters carry the theme of losing one’s faith. Only one character, Shane, shows us a glimmer of hope, suggesting that even an underdog can rise to the occasion.
As always,
AstraDaemon
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