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Exploring dark alleys. Discovering new nightmares. Revisiting the masters.
Showing posts with label thriller. Show all posts
Showing posts with label thriller. Show all posts

Tuesday, February 22, 2022

Ugh, Another Series | Horror Review | AstraDaemon

THE FIRST ORDER by Amy Cross takes place in 1956. A young nun names June is sent to a Swiss Castle to assist another nun and a priest while they conduct secret experiments. Eventually she discovers a prisoner who begs to be set free. June finds herself torn between what she has been taught and what she has seen with her own eyes, and she begins to doubt her faith.

The nun and the priest remind me of the sick, twisted characters found in The Pillars of the Earth. June's lack of conviction in anything is annoying. I wish more background had been revealed about the prisoner. However, despite my frustrations, I remained captivated with the story.

I thought this was a stand-alone, and the ending appeared to tie everything up, but there will be a sequel in this new series, The Chronicles of Sister June. I'm not intrigued by June enough to continue with the second installment.

As always,
AstraDaemon

Tuesday, September 14, 2021

Tied Up, Tied Down | Horror Review | AstraDaemon

THE HAUNTING OF MATTHEW THORNE by Amy Cross plays the long-game with readers...for most of the book, this appears to be just another great ghost story from the author. Plenty of action, drama and suspense among the characters, with Stella and Gary under constant threat by a drug lord, and Matthew's mansion apparently haunted.

When the sinister reveal finally occurs towards the end, the twist is drawn out through more than one POV, and I couldn't have guessed any part of it. However, much like Matthew, I went mad trying to figure out the last third of the "knot."

This is one of my new favorites from Cross, and I highly recommend this story to horror fans looking for a change from the usual haunted tales.

As always,
AstraDaemon

Tuesday, March 30, 2021

LGBTQ+ in Horror [INTERVIEW] | AstraDaemon


The other week I read a horror novel which takes place at a Pride festival, with LGBTQ+ characters leading the story...something not often seen. The fright formula is still a familiar one, but with a perspective which invites readers to get out of their heads and into someone else's. I asked Brady Phoenix to spend some time in the Lair and discuss his efforts to expand the genre...




How did you become interested in a genre which doesn’t have many LGBTQ+ main characters? Are you deliberately encouraging a change or simply creating characters and storylines you can relate to?


What draws me towards the horror genre are the qualities of the main character/final girl. The grit and determination when faced with adversity that draws me into the genre, which is something that members of the LGBTQ+ community can relate to. Any queer person has faced some type of challenge where their willingness to thrive gets challenged. I love even in horror movies that there are these extremes of character archetypes (geek, jock, fool, leader, promiscuous, etc.) that are spun uniquely in different ways to entertain the viewer, which I want to challenge adding LGBTQ+ ingredients to the recipe. There is also a quality within horror that it doesn’t take itself too seriously. There is a campy quality that brings you out of the “spook factor” that I enjoy and try to bring into my work. Plus, queer people deserved to get scared too!

The fact that there aren't a vast number of LGBTQ+ characters in horror fiction is something that gets concerning. In a lot of stories, it just feels like at times that there is no acknowledgement of the existence of queer people. If you look in everyday life, you don’t just see straight, cis, white people. There are more people than just them, and I am trying to encourage readers to look beyond the scope of what they think they see in everyday life and put themselves in the mindset of somebody who isn't the same as who they see themselves as or the people they are used to in their everyday lives. My hope is that people who don’t identify as LGBTQ+ can look at the qualities of the characters I create and see a similarity or two that they can relate to, lessening this visible divide between the two groups so that they can treat us with the decency and dignities that we all deserve just like everybody else.

In addition, the characters that do include LGBT+ characters are often perceived as an exaggeration or a caricature, or they are killed off early as the “token character”. There are not many direct influences that the younger queer generation can relate to, so it has been a motivation for me to create these stories that have characters that aren’t viewed as just “gay characters”, which can easily end up placing them into a certain box and should instead be viewed as a “character, who happens to be gay”.

My stories are not necessarily made for myself to relate to, since these characters experience events or encounters that are based on what I’ve lived through and witnessed. I want younger people like me that can look beyond the premise of a masked serial killer and see the similarities and struggles that these people have and relate to them, not feeling like they are not alone and their struggle will end. It won’t be easy, but it will end.

Do you have a specific audience in mind, or are you writing for all horror fans?

I’m writing for new adults as my main target audience, since the moments were inspired by my twenties, but it isn’t exclusive to them since horror is for everybody. I also try to keep a balance to entertain the LGBTQ+ audience while provoking the minds of the straight audiences. My goal is to take the qualities that we all love in 80s and 90s slasher movies and give the reader the experience of watching a movie, just adding a little more diversity. LGBTQ+ audiences will appreciate that they are finally being included in a genre that is loved and underrepresented. And my hope is that anybody who isn’t a part of our community will be entertained by a fresh, new-ish take on the genre that they love.

It is a challenging task to balance. I don’t want to lose my mission to inspire a younger LGBTQ+ generation to feel inspired by my group of “Final girls and boys”. I also don’t want to go too much to the point where non-community members feel like “I am shoving our agenda down their throat.” (side note: I hate it when people say that! They have been shoving their agenda down our throat for decades!). I just hate the fact that there has been an non-inclusive divide in many aspects of society where we just aren’t looked at as normal as they see themselves. And its even worse for queer people of color! I don’t want to turn off the straight audience by overdoing it and crossing over their society built standards.

How do you feel about novels being lumped together under LGBTQ+ instead of simply being placed among their corresponding genres? Do you think it does more harm than good as far as normalizing fiction with LGBTQ+ characters?

This is a double-edged sword. There is a benefit to placing novels in an LGBTQ+ category so that members of our community don’t have to sift through a list of books in hopes that they find what they are looking for, if they desire a good queer read. On the flip side, its divisive and non-members have a list that they can filter out because they don’t want anything to do with queer people or their struggles reflected in literature. It is doing more harm especially now that the divide has gotten worse between the two extremes.

Luckily, there is a middle ground where there are people who don’t identify as LGBTQ+ who have an open mind to give our stories a try without any preconceived judgments or assumptions. Those people are to be recognized and thanked as those numbers continue to grow as the years pass. The LGBTQ+ community needs to keep remaining patient as we have been for many years, and the middle (ally) community needs to keep advocating for us in all aspects. I’m not saying they have to march/rally. They just need to advocate in the face of indifference and educate in the sight of ignorance. I have faith that this will get better and easier for queer books, and I will do everything in my writing career to make stories that will help transition those minds.

Which authors have influenced and/or inspired you and what is it you enjoy about their stories?

I have to of course recognize Stephen King for being a huge pioneer for the horror community. His stories are so out there and they make your spine tingle! I appreciate Clive Barker for doing the same thing! R.L. Stein gave me nightmares as a kid, so I appreciate them as a core foundation for my love of horror and LGBTQ+ stories.

I also love Riley Sager, for the reason that his books are what got my passion for reading and writing stronger. His work gives me the experience of watching a horror movie without turning the television on. I stopped writing for 15 years and gave up on the idea that I could make writing as a career. It was his books that made me passionate for the horror/suspense genre. I owe so much to him!

What are your plans for 2021? Any more titles being released this year?

My goals for 2021 is to keep being safe and healthy both in body and mind. I hope to do my part to keep spreading my message of love and acceptance and bridge the gap between LGBTQ+ people and non members, and also encouraging any person who is outside of the societal norm to express themselves creatively so that their perspective is heard. I want to keep expanding my author platform to as many readers as I can, and even connect with them. I am also in the process of writing my second novel of this series which I hope to release this fall! I won’t spoil anything at this moment, but I am very excited to keep going with what was just a ‘bucket list’ item, and making it bigger than I ever dreamt of it to become!



Thanks to Phoenix for stopping by!

If you haven't read CARDINAL RULES yet, I highly recommend it, especially if you're a fan of 80s slasher movies.

As always,
AstraDaemon

Sunday, March 21, 2021

Familiar Formula | AstraDaemon

CARDINAL RULES by Brady Phoenix is reminiscent of an 80s slasher film, with the killer wanting revenge for some perceived wrong-doing. However, I would describe this novel more as a crime-thriller, with intense relationship drama playing out in two different timelines. The mystery surrounding the Cardinal killer kept me hooked from beginning to end, and I think many horror fans would enjoy this story.

Unfortunately, I think some are going to pass this up just because the characters are LGBTQ+, which is ridiculous. First of all, this is not erotica, nor are there any overtly sexual scenes, so no one can use that as an excuse to skip this one. Second, this is basically the same formula as most thrillers: a bunch of young people (which includes several typical characters such as the nice guy and the major AH) are trying to have a good time, but someone is killing them off. Last but not least, the characters are dealing with personal issues that many of us could relate to, such as friends who don't get along with each other, domestic abuse and personal tragedies.

With all that said, I would have preferred more action scenes and a little less dialogue...I will admit I was expecting a more brutal horror plot. However, I'm still recommending this book because I like seeing more variety in the groups of people portrayed in fiction, whether it's horror or other genres.

As always,
AstraDaemon

Thursday, March 18, 2021

NOT Stolen!! | AstraDaemon


THE HOUSE ON FISHER STREET by Amy Cross is an original suspense-thriller. Now, as a general rule, I don't usually concern myself with other reviewers, but I need to address something I read in the Amazon review section. Someone stated this novella is a rip-off of the movie Don't Breathe, and went so far as to say the plot is the exact same. THIS IS A HUGE LIE!!

I have watched the movie several times, and read this book completely from beginning to end. The only similar element is three people breaking into a place, which is a common trope in the horror genre. Nothing else is the same. The characters are different. The setting is different. There are several twists in the book which are not in the movie, and there are twists in the movie which are not in this book. Either the other reviewer didn't read the book past the first chapter, or the person is deliberately slandering Amy Cross. Now on to a TRUTHFUL review...

Three young people attempt to break into a huge house surrounded by more than one security measure. They find what they think is a flaw in the design, and use this flaw to gain access into the house. Soon, they realize they misjudged the situation. The owner is not as predictable as they thought, and there is an unusual reason he lives there. The ending has more than one surprise, and the epilogue is the icing on the cake.

With that said, as much as I enjoyed this story, this is not as frightening as many other books by Cross. She spent too much time on the trio plotting the heist, and not enough time on the action within the house, particularly the scenes in the basement. The potential to be truly horrifying wasn't well-met. Cross should've have given the owner a better backstory. To be fair, I expected something supernatural to be revealed.

This is one of those rare occasions I'm recommending the book, even though it's not one of my favorites by Cross, because I'm disgusted by the false review. There are authors and Hollywood writers who plagiarize each other, but this is simply not the case here.

As always,
AstraDaemon

Thursday, January 28, 2021

Ultraviolence | AstraDaemon

KELSEY'S PLAYGROUND: THE STORY OF A SADISTIC KILLER by K.B. Knight is an excellent crime thriller, with such brutal violence, this novel should come with multiple trigger warnings. This story is so radially different from the author's GREENWOOD series, I wasn't mentally prepared for the savage perversion of Kelsey Masters' murder spree.

Knight drags his readers into the dark alley of Kelsey's life, guts them with the jagged edges of her teen years, and performs unspeakable horrors with his characters from one page to the next, as he reveals the sickness within Ms. Masters. Kelsey maneuvers through her life like a psycho playing chess with body parts for board pieces.

The worst part is finding myself on Team Kelsey. She's kind of a female Dexter, living as a corrections officer while victimizing the prisoners, her co-workers, and anyone unfortunate enough to cross her path. Unlike Dexter, her motives are selfish. Don't even get me started on her blackouts. The ending left me screaming for more.

I sincerely hope Knight writes another PLAYGROUND novel soon.

As always,
AstraDaemon

Friday, November 13, 2020

Mind Games | AstraDaemon

PROJECT HINDSIGHT by Steven Pajak is a dark psychological thriller with a very twisted ending. The story centers on Joe, who gets a phone call at two in the morning from Rachel, an old girlfriend who's been missing for thirteen years. She eventually reveals that she was forced to be part of a secret government project, and the two of them are being hunted by agents sent to retrieve Rachel.

Several friendships and other relationships are torn apart and utterly destroyed because of Project Hindsight. The story is filled with drama and action, leading up to a rather brutal and tragic final reveal.

Steven Pajak continues to perfect his style of horror, this time focusing on the sick ambition of men and their ruthless way of taking whatever they want. Pajak continues to be one of my favorite authors.

I also recommend Pajak's MAD SWINE series.

As always,
AstraDaemon

Saturday, October 3, 2020

Halloween Reading: Consumption Week | BIG CAT REPOST | AstraDaemon

Each week will have a different theme. The first week is all about consumption...being eaten...devoured. The prize will be a copy of BIG CAT, signed by Bowie Ibarra.

In order to enter, all you have to do is leave a comment on one of the (Blogger) posts dated Oct 1st to Oct 4th. The comments can be about the stories, the themes or Halloween. A winner will be selected and announced on Sunday, October 4th. Unfortunately, due to postal issues, only U.S. residents will be allowed to enter.


BIG CAT by Bowie Ibarra, author of the Down The Road series, is an entertaining suspense-thriller featuring a predator terrorizing a rural area near San Uvalde. Nothing supernatural or over the top, just a lot of unfortunate people who have forgotten their true place in the food chain.

True to his writing style, Ibarra has included some sexual content, giving the story an 80s slasher motif. However, the serial killer hunts on four legs and doesn't wear a mask. Due to the naughty bits, I don't recommend this story to anyone under the age of 14.

The rotating POV creates some intense, scream-at-the-book moments, especially with the personal drama between the main characters. Even though some of the personalities are somewhat cliché, especially the two idiot cops and the airhead named Chip, the variety keeps readers guessing about everyone's chance of surviving to the end.

The moral of the story: don't get caught with your pants down.

As always,
AstraDaemon

Monday, September 7, 2020

Supernatural Sci-Fi Short

There is witchcraft in science and a science to witchcraft. Both will conspire against you eventually.

HELLO, MOTO by Nnedi Okorafor is a flash fiction piece about a woman who regrets her creation, and tries to prevent any further suffering. The story takes place in Nigeria, centered on three female characters who carry themselves as modern-day goddesses, with all the drama you'd expect from any mythos.

Okorafor has created such a powerful supernatural thriller, Rain deserves an entire novel devoted to her storyline. In fact, I think if each woman were given their own novel, this would make a great trilogy!

As always,
AstraDaemon

Sunday, August 30, 2020

Taking Out The Trash

OUTLAST YOUR GODS by Elias Witherow is dark like THE THIRD PARENT, but without the supernatural entity. This time, the trouble comes in the form of a new neighbor, Sawyer, who attempts to influence the impressionable mind of Rowan. The poor kid is determined to be a good person, but, with everyone and their dog antagonizing him, Sawyer's way of thinking seems to make sense.

Unfortunately, the thirteen year old is dragged into a waking nightmare by the raging drunk, and he's lost all hope of escaping. Everyone has an event which changed them forever...this summer will either be Rowan's rebirth or his last stand. Once again, Witherow horrifies readers with the monsters among us.

I also recommend THE LAST TOWER by Witherow, a family drama set in a sci-fi post-apocalypse.

As always,
AstraDaemon

Sunday, August 23, 2020

King's Kids

CHILDREN OF THE CORN by Stephen King is one I have no memory of reading before now. I didn't think much of the movie, so I never bothered with the story. I couldn't understand what people found so frightening about this short, and I still don't.

While a boy with a slit throat in the road is terribly disturbing, and a deserted town is creepy, there's just not much more to this story than the husband and wife fighting with each other. I don't even care what happens to them.

Instead, I recommend MILE 81, written by King within this decade and borrowing some themes from his older stories.

As always,
AstraDaemon

Thursday, July 30, 2020

Throwback Thursday: Sasquatch and Zombies

LAST STAND IN A DEAD LAND by Eric S. Brown is a unique blend of folklore, science fiction and horror spun into an undead thriller. Whether you read Brown’s work for the gory action, the mix of monsters, or his sick humor, readers will be quite pleased to sink their teeth into this tale.

There’s so much controversy around the nature of the undead and possible outbreak scenarios, it’s easy to forget the other monsters lurking throughout our history, but Brown has created a brutal reminder: crap can always get worse during a zombie outbreak, especially if humans aren’t the top of the food chain in the first place.

I think this is the very first story I read by Eric S. Brown, making me an instant fan. Years later, stories such as HUNTERS has kept the author on my favorites list.

As always,
AstraDaemon

Wednesday, July 29, 2020

A New Metal Monster

MILE 81 by Stephen King is a novella I haven't read before, and I must admit, I have been reluctant to read anything King has written after THE GIRL WHO LOVED TOM GORDON. I am so glad I gave this story a chance because this is one of my new King favorites.

King appears to have channeled several of his older stories for this one: Christine, Trucks and The Raft. Even with all the horror elements, this is more or less Pete Simmons' coming-of-age story. All he wants is a cool adventure to share with his older brother and his bicycle gang, but he soon finds himself in a supernatural battle for survival.

The author torments readers further by including a horse as well as three children...kids and a defenseless animal? Nothing scares the crap out of me more than placing innocent lives within the grasp of a monster. I really wish King would stick with this style of storytelling.

As much as I enjoy the rest area nightmare, my favorite King story is still THE EYES OF THE DRAGON, and I highly recommend both to all readers.

As always,
AstraDaemon

Monday, July 13, 2020

Undead Texas Slaughter

THE FALL OF AUSTIN by Bowie Ibarra is set in the zombie apocalypse of DOWN THE ROAD, but this novel is a stand-alone story. However, I do recommend reading the other two books which provide different perspectives to the horror unfolding across Texas. All three novels have a variety of characters, plenty of conflict among the survivors, and some of the most brutal action scenes I've ever read.

Of the three DTR books, this one is the most emotional. The contrast of heroes and villains is gut-wrenching, as Ibarra's undead onslaught brings out the best and worst in his characters. After following the bloody battles between the various survivor groups, the ending left me in tears.

I know years have passed since Ibarra wrote these books, but I would LOVE to have a novel centered on the two leaders of the southern exodus. PLEEEASE!!

As always,
AstraDaemon

Friday, July 10, 2020

Denial Is A Killer

BIGFOOT: ALASKA by Eric S. Brown begins with a hunting party getting slaughtered by some mysterious beasts. A search party goes missing soon after, so a third group decides to enter the danger zone to figure out what happened to the others. With the help of a local Native guide and a lifetime resident, they soon find themselves fighting creatures they thought were just folklore.

I'm amazed Brown hasn't run out of death scenes, but the author continues to keep readers guessing as he proceeds to massacre his characters, page after page. We can only hope 2020 will not include these monsters.

I also recommend PIRANHA by Brown, which offers a new twist on a familiar threat.

As always,
AstraDaemon

Wednesday, July 1, 2020

Return to A Zombie Favorite

DOWN THE ROAD: ON THE LAST DAY by Bowie Ibarra takes place in the same zombie apocalypse as the first book, but it's not exactly a sequel. While I recommend reading the original story before this one, it's not necessary. Readers of both will discover what happened to two of the characters who drive off from the original storyline.

My favorite part of the story is the moment the town's survivors hang their banner on the building to expose the media lies. I love how the townsfolk pull together to secure their town. Of course, the military nutjob has to go and wreck things. The UN forces learn the hard way what happens when you mess with Texans.

The characters are very believable, and Ibarra describes the area quite well. I'm being vague because I hate giving away too much when it comes to zombie novels.

The ending is mind-blowing. Still the best revenge scene since The Count of Monte Cristo (even after all these years).

As always,
AstraDaemon

Thursday, June 11, 2020

Throwback Thursday: Movie Review


THE DEAD by the Ford Brothers is a very pleasant surprise. I noticed right away the quality of the film is more like a big screen film production than the home-movie quality some indie films seem to have. Also, no stupid camera movements like the shakes, which is refreshing. Not sure about the budget for this particular film, which runs about 90 minutes, but someone definitely spent some money on this project, regardless of the claim that it was “low-budget.”



The movie starts with 
an American soldier, stranded in West Africa after the last evacuation plane crashes in the ocean in the African desert (American actor Rob Freeman as a US military engineer), shooting a zombie, then flashes back to how he ended up in the desert, continuing along until the guy’s storyline reaches the first scene of the movie. I think it's a cool manipulation of the timeline.



He is joined by an African soldier (African actor Prince David Oseia) who is searching for his son, after his village is overrun. I love the comparison and contrast between these two survivors, which gives the plot some depth. I do think they could have spent a little more time on the military tension between the two, but the idea of them agreeing to work together is believable.

The village outbreak is a great zombie scene, but despite the great action sequences, quite a bit of the film follows the two survivors driving through the wilderness with zombies constantly appearing in the peripheral. There are many intense scenes during the drive, each time they have to stop for repairs, etc. I jumped a few times…catching me off guard with a high suspense factor.



The special effects are excellent, and I'm really glad to see the zombies have the same qualities of the original Romero undead. For that reason alone, if you’re one of those zombie fans who thinks there is no hope for zombie indie films, you should really give this one a chance. There’s never an explanation of the source, but there is a great conversation between two African soldiers that reflects on the outbreak.

I did have some issues with some of the behavior of the survivors (i.e. taking too many risks) which had me yelling at the characters, but that just shows how engrossing the film is. The DVD extras left something to be desired with only one deleted scene & background scenes set to music (absolutely no commentary, which would have been welcomed). The Ford Brothers missed a golden opportunity by not including more special features.

 Check out the trailer, and see for yourself.

As always,
AstraDaemon

Tuesday, June 9, 2020

Haunted Time Travel

THE PATCHWORK HOUSE by Richard Salter centers on James and his girlfriend Beth, who have come back to England to assess a piece of real estate for his dad. The patchwork house is a mix of various architecture...and it's haunted. So, naturally, James invites his friend Derek and his wife Chloe to spend the weekend at the house for some ghost hunting.

Unfortunately, there is more to the house than just ghosts. There is an entity which can control time travel, and the couples soon find themselves trapped in a nightmare. If they want to survive, they have to sort out the different timelines inside the house, keeping them prisoners.

I'm a fan of Salter, and this is my favorite novel by the author. I read this book in one sitting, during the day, and it still scared the crap out of me. I don't frighten easily - I really don't, but the combination of horror, sci-fi and drama is absolutely terrifying and hopeless...and the relationship histories between characters adds that extra gut twist.

Horror fans have met their match in Salter.

As always,
AstraDaemon

Thursday, June 4, 2020

Sci-Fi Drug Addiction

ISADORA DAYSTAR by P.I. Barrington is an excellent story about struggling with inner demons and self-redemption, but, instead of being set in a modern world, the author had the great idea to write this drama with a sci-fi theme, which I think readers will appreciate immensely.

Isadora is an unusual choice for a protagonist: she's a former soldier, a drug addict, a thief, and an assassin, who often prostitutes herself to alien species to make ends meet, since she's not very good at killing her marks. Her entire existence is based around her addiction to a drug she encountered during her military service...an utterly pathetic existence at that.

I love the imagery of this futuristic universe, with extremely unusual descriptions of Isadora's main world, Rho (a moon that never sees the light of a sun). Rather than focusing on the technology, Barrington highlights the changes in the social structure of the human race. For example, religion is outlawed, and additional laws had to be enacted regarding sexual contact with other alien races, revealing incredible creativity on the part of the author. Between the various species, interplanetary travel, and new moral codes of the existing human race, the plight of Isadora is enthralling as a deadly bacteria infection causes her to abandon ship.

I recommend this novel to all readers, not just sci-fi fans.

As always,
AstraDaemon

Thursday, May 28, 2020

Fantastic Alien Creation!

INTO THE LIGHT by Eric S. Brown is such a great sci-fi apocalypse story, I wish the author had used the concept for a full-length novel, or, at the very least, a novella.The Dwellers seem like an unstoppable force, but I can't help but wonder *hinting for sequel* if Brown's Sasquatch would be able to fight off the aliens.

Brown really should consider a double creature feature, followed by a third installment, with Hugh somehow being the savior of the human race.

As always,
AstraDaemon